Member interview: Christopher Tupa

The below interview was conducted during the creation of 8: A Kid’s Book Anthology 2010.

What advice do you have for a young person who wants to have a successful creative life?
Embrace it. If you want to create then create. Dont worry about what others are doing or what they think of you. Some people will understand you and some won’t. It’s simple but important: Do what makes you happy rather than what might be popular or the latest fad. If you’re not doing it out of love eventually it’ll show and you’ll burn out. Try new things, constantly challenge yourself and your art, always be learning. If you want to do comics try painting or sculpting every now and then. It recharges the batteries and brings new lessons and perspectives.

What about an adult who wants to re-focus their life in a more creative direction?
Awesome! There are not enough free-thinkers and creative types out there! Go for it. You get one life, do what makes you happy. Even if it’s just drawing doodles for your kids, its art and its making someone happy, including yourself. It’s never too late, never.

How do you balance family, financial obligations, and creative personal projects?
This is the biggest challenge for me. I am fortunate enough to have a full time job (not art related but computer related) and have two young kids who love playing with their dad. How do i make the time to do art? I MAKE time. I don’t sleep enough, I barely watch TV, I don’t hang out with many people, I don’t waste time doing things that aren’t important or that I deem worth taking time away from my kids/family or my art. If you want to create and are passionate about it you will find the time. Sketch on your lunch break, on the bus, while your waiting at the Dr Office, etc. When I’m at work I have paper right next to me to jot down ideas or sketches.

Do you do freelance work? Work a day-job? Have a full-time creative career?
I did graphic design for almost 10 years but now work in the IT field. As for freelance not much, but lately I have been doing a ton of commissions, which is wonderful.

Any tips on time management, marketing, networking, and the business side of creating art and stories?
Networking is a constant “job”. Email people, visit blogs, facebook, forums. They’re all great for meeting and showing your work. I’m no expert and can use a lot of help in this area as well…

Do you have a particular style and/or medium that you use? Or do you “mix it up”?
I like digital but since I sit in front of a computer all day when I get home i don’t want to be near one. Right now I’m doing mostly ink and watercolor which is a ton of fun and I really enjoy it.

How do you decide what ideas you will develop?
I do a lot of sketching, writing down ideas, etc. I have notebooks full of one sentence descriptions of stories or images I want to do and when one really stands out and hits me then thats the one I work on.

Can you describe your working process? (writing, character design, style, etc.)
I start with the idea, and then pencils(rough) and then knock it out. I like to work relatively fast, the longer I work on something the more bored i get with it. New ideas and stories are constantly popping into my head, sometimes it’s hard to stay focused on a long project…

What are you working on now?
I just finished two journals Im printing at KaBlam. I am starting another journal, and a book project, as well as the commissions I’ve been doing. I like to be constantly busy. All the time. I’m not much fun on vacations unless you like to go-go-go and hardly sleep.

Where do you see yourself (and your work) in ten years?
Hopefully still creating, I’d like to think my style will have evolved, maybe make some money, I’d like to have a body of work that makes me proud and brings joy to others.

What are your artistic life goals?
To be the best I can, create art and stories that make people smile and maybe even inspire.

What is the current state of illustration, and where is it headed?
I’m not sure how to answer. I do know with the internet it seems like artists are everywhere which is good, you can see a ton of work and be inspired and learn new things all the time. But of course that does make it harder to make a living and stand out…

Is there a future for print?
Nothing beats holding a book in your hands.

Is design, web / tech development, and animation, necessary to find an audience or client?
I don’t think so, depends on the audience of course.

What do you think about the blurring line between “professional” and “amateur” artists?
Good. The work should speak for itself, regardless of who made it. I’ve seen pre-teen art that blew me away and I’ve seen “professional” art that i thought was crap. I would say “pros” may have a better work ethic but that’s not true either. the project we just finished had both “amateurs” and “pros” flake out so that arguement it mute as well…

Pros and cons of the online art community?
Pros: Exposure, for your work and the exposure to work you may not usually see.
Meet people, opportunities for work or projects, etc.

Cons: There are so many people out there, sometimes find it hard to stand out, forums and facebook are constantly updating things may get lost in the busyness.

How do you stand out in such a huge community?
Quality and persistence. Keep working at it.

Pros and cons of digital vs. traditional work?
Well you have to spend a lot of time on the computer for digital and you can’t sell the original. But you can sell prints and for some art its a lot faster and you have lots of options and undos and layers…
Traditional has a more crafty feel to me, hands on, you can sell prints and the original..Its harder though, theres no undo button with watercolors…
Both are fine and wonderful, depends on what you’re working on and what you want to achieve.

What are the most important things we can do right now to be relevant in 10 years?
For me it’s find a relationship with God and Jesus. We need to be nicer to one another and this planet. Start doing the right thing, all the time, not just when it’s convenient. Get back to personal relationships with each other and take responsibility for ourselves and our actions. Stop idolizing actors and athletes, thats dumb and empty. Lend a hand when it’s needed and listen more instead of talking. Boy, did I go off on a rant…

Tell us about some of the influences which fuel your creative work?
Cartoons!!! All different kinds! 80′s Tv shows and cartoons – love the optimism they had then, European comics: Asterix, Smurfs, there’s so many…
I just like to surf the web and be inspired by the art I see and find…

To discover more of Chris’ work click onto www.ctupa.com, visit his blog or follow him on Twitter: @tupa01

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Tweet!

That’s right, illopond has finally reached Twitter, follow us for opencalls, community news, member announcements, inspiration and a good ol’ chit-chat @illopond! Come and say hi!

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8: A Steampunk Anthology, OUT NOW!

8: A Steampunk Anthology, the Second Project from the illopond.com Creative Collective

Last year a group of artists, lead by Christopher Tupa, connected through the magic of the internet to collaborate on an illustrated collection of stories for children.
The resulting book, 8: A Kid’s Book Anthology, has not only been a great success, fusing friendships and creative alliances between those who came together to work on it.

Illopond.com is the website developed for them to communicate and share their work, critique and give feedback as the stories came into fruition. This year members of the community, lead by Samuel Kirkman, have come together again and we are proud to announce our second collaborative project, 8: A Steampunk Anthology.

8: A Steampunk Anthology, as it’s predecessor, features eight unique illustrated stories created by eight artists from all over the world. The illustrators have taken the theme of ‘steampunk’ and run away with it each, each creating tales unique to their own individual style and flair.

The contributing artists are Warren Belfield, Zach Bosteel, Carsten Bradley, Paul Caggegi, Mark Harmon, Samuel Kirkman, Clint Sutton and Lee Wiley.

8: A Steampunk Anthology is available now through KaBlam! in print.

We hope you enjoy our steampunk anthology, and as always, we extend an invitation to creators who are interested in taking part in a collaborative project (or who wish to start one of their own. Come on over to the illopond.com and check out the community!

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OpenCall: Boo! A Spooky Anthology for Kids!


By Denver Wagner
: Fables, fairy tales, movies, books, comics, cartoons, campfire stories, theme park rides, folklore and urban legends, even playground games and nursery rhymes are full of monsters, villains, and other “bad guys”.

Why all the spooky stuff? Because kids love it! The first questions my daughter asks when I’m telling a story are: “Is there a bad guy?“, “What does he/she/it look like?”,” When is the bad guy gonna be here?” The “bad guy” has been showing up earlier and earlier in our stories. I’m cool with that. The good guy/gal wins in the end (in children’s stories, anyway), and life goes on.

This is your opportunity to finally tell that creepy story that has been scratching in the closet of your mind. THIS ANTHOLOGY IS FOR KIDS! The content should be age appropriate and original. High quality artwork is a must, but the format is open: comics, full page illustrations, spot illustrations, artistic photography, etc. Of course, in a scary story, a good twist or punch line is always a plus!

This anthology will need 8 creators to each contribute an 8-12 page story.  I would also like small (1 or 2 page) contributions dispersed throughout the book.  These could be strip-style comics, fake paranormal photography, pin-ups, poems, fake journal entries, maybe a recurring horror host…use your imagination.  Check out the “BOO” forum if you are interested in contributing or just to see what spooky little surprises are emerging.

If creepy is not your thing, check out Sam’s Steampunk 2 anthology or start a project of your own. The illopond is a growing community. With every new member and project, we have the opportunity to build this collective into a unique and successful venture.  Now is a great time to jump in!

How to enter? To submit your work for selection, simply start a discussion in the Boo! board of the community.
What can I submit? Either a full 8-12 page story, or a smaller narrative snippet, be that a poem, a short comic, or something creative and decorative, go wild, use your imagination!
When is the deadline? The deadline for completed work is September 1st 2011. Spots in the book are limited, so the sooner you get involved and post up some ideas for your contribution, the sooner your place will be confirmed.

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Process Diary, Take Two!

The illopond.com crew return to The Process Diary to chat about our latest project, 8: A Steampunk Anthology! Over to Paul Caggegi…

Welcome back to the Process Diary for 2011. I finished up 2010 with a a round-table discussion with the fine folks from illopond at the beginning of the Steampunk anthology project. Now that we’ve submitted all the art and Sam has sent the files off to Ka-Blam for listing on indyplanet.com, I welcome them (and then some) all back to the show to chat.

Listen to the podcast direct from The Process Diary here. Oh, and the Steampunk Anthology project leader Sam Kirkman just made this fantastic trailer for the book, check it out below!

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Mark Harmon’s ‘Pest Control’ Trailer

Community member Mark Harmon has created this trailer for his newest story Pest Control, which is part of the new 8: Steampunk Anthology.

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WonderCon Here We Come!

By Samuel Kirkman: A great bit of news! Just when it looked like I would be one of thousands attending this years WonderCon in San Francisco Ca. as a fan,  a letter from the Comic-Con group announced we have a TABLE! Yes that’s right, a table in the small press area to represent the Illopond Creative Collective.

Waiting since September, I wasn’t sure we would ever get in. Events like this are filling up months in advance. Evidence I believe of the power the internet and creative technologies have placed in the hands of people like you and me!

Tentatively, our booth assignment is SP-14, subject to change, but never the less, WE’RE IN! The invitation to join me is out there for any of or contributors. Bring lots of Swag mates! And to everyone, please come by and check out our offerings.

The much anticipated “8 A Steampunk Anthology” is vigorously being molded by our 8 contributing artists. Cogs are spinning, rivets flying, as they scramble to make deadline. In anticipation of said completion, I would like to point you to PDF versions of “Pest Control” by Mark Harmon, and “For The Public Good” by Sam Kirkman now available for the modest sum of .99 cents over at The Illustrated Section as further incentive, I will be offering a 1.00 off the cover price of the full anthology to anyone with either stories on their portable media device. And if a hard copy would be to your liking, I will offer $5.00 off the cover price to anyone who brings in a copy of “For The Public Good” ordered from IndyPlanet.com.

The illopond Creative Collective is a public source for Collaborative artistic expression. We urge all of you to get involved!

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Chris Oatley’s Artcast

That’s right folks, tune into episode #53 of Chris Oatley’s Artcast to hear more chatter from the illopond.com team. The crew discuss creative collaboration in the online world,  share ideas on past and forthcoming projects and share insights into ideas creation and making good art.

You can listen to the full episode and check out the excellent back catalogue at ChrisOatley.com.

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IP on The Process Diary!

Illopond member Paul Caggegi has been kind enough to feature pond members in the latest installment of The Process Diary, a podcast all about showing you how its done by going out and doing it!

In the final episode for 2010, I speak to three artists involved in the illopond Steampunk Anthology.
Illopond was started by Ben Powis in 2009. He collected 8 artists and together, they created 8: A Kid’s Book Anthology - 8 stories by 8 artists, each story just 8 pages long.
This year, the illopond is doing it again, only this time the theme is Steampunk. At the helm is Sam Kirkman. Other artists involved are: Mark Harmon, Lee Wiley, Zach Bosteel, Clint Sutton, and Warren Belfield.
With varying degrees of experience, the heady mix of storytelling runs the gamut from rollicking fun to eerie distopias. We had a great time chatting about the anthology, and I feel privileged to be a part of this exciting project.

You can listen to the podcast today on the blog by clicking here, we would also love to encourage you to subscribe on iTunes and check out the back catalogue of The Process Diary for more excellent content.

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8: A Kid’s Book Anthology

8 Artists Weave Changes into the Fabric of Modern Publishing Via the Internet

In the fall of 2009, Christopher Tupa began gathering a group of artists, a blend of professional illustrators and passionate storytellers to take part in a collaborative project. The aim; to create and self publish an anthology of illustrated short children’s stories.

Eight artists wrote and illustrated their own eight page story and were able to discuss and critique each other’s work (over a period of several months) through the ‘illopond’, a website created by illustrator Ben Powis. The participating artists are: Mark Harmon,Michelle Kondrich, Sam Kirkman, Craig Pirrall, Ben Powis, Christopher Tupa, Denver Wagner and Lee Wiley. The artists communicated solely through the magic of the internet, via email and the illopond.com, as they are spread around the globe – from Denver to Fresno, from Japan to the United Kingdom.

8: A Kid’s Book Anthology is truly a global production in self publishing and a fine example of how modern communication techniques can bring creative people together to collaborate, share ideas, create stories and have lots of fun! The artists feel strongly about the importance of collaboration and self-publishing in today’s illustration market. They believe that artists must take control of their careers, create work that they are passionate about, and market and distribute that work to the public.
The book has been printed through the web based service ‘Ka-Blam’ and is now available for purchase through their distribution arm, ‘Indy Planet’. ‘8: A Kid’s Book Anthology’ will also be available at conventions and comic shops all over the world, as it is distributed by contributing members. One of the first places to grab a copy of the book will be at ‘Up Fair!’ In Lexington, Kentucky during November 19th and 20th 2010 as contributor Mark Harmon will be in attendance; presenting a workshop on collaboration.

During the months when the book was coming together the ‘Illopond’ was a closed community, now that the book is finished we have thrown open the doors so that anyone with an interest may read back through our discussions and follow the process we took getting to a finished product. We invite anyone with an interest in creative collaboration to come join in. Let us know what you think of 8: A Kid’s Book Anthology, help us decide what to do next, and get involved in a creative project or start a collaboration of your own!

[Take a look inside!]

Order your copy today!

Book Statistics

  • Format: 7” – 10.5”
  • Eight individually written and illustrated stories
  • Eight delightful characters to entertain and amaze the reader
  • Price: $14.95

Contributors
Mark Harmon
Michelle Kondrich
Sam Kirkman
Craig Pirrall
Ben Powis
Christopher Tupa
Denver Wagner
Lee Wiley

Resources
Illopond
Ka-Blam
IndyPlanet
Up Fair!

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